PARIMALA Tamil Movie Review
Cast-:
Jayaram, Urvasi, Mysskin, Yogi Babu, Sandy, Santosh Sobhan, Sanjana Krishnamoorthy, Ananthika Sanilkumar , Single Pulli ,Piornima Ravi , Bagavathi Perumal and Others.
Crew-:
Written & Directed by Pandiraaj Produced by Subaskaran (Lyca Productions) Pandiraaj (Pasanga Productions) Director of Photography : George C. Williams ISC Music : Foxn Editor : Pradeep E Ragav Art Director : T. Ramalingam Stunt Master : Kalai Kingson Choreography : Sandy, Baba Bhaskar Music Supervisor : Santhosh Kumar Costume Designer : Poornima Ramaswamy Costume : K. Nataraj Audiography : M.R. Rajakrishnan VFX Producer : B.R. Venkatesh DI : Knack Studios Colourist : Prasath Somasekar Publicity Designer : ADFX Studio Stills : Theni Murugan PRO : Sathish (AIM) Sound Effects : Shreyas Bhat, Arunprasad Production Controller : Ramadoss & Vijay. C Subtitles : Rekhsk Direction Team: Divya Thiravidamani (Chief Associate Director) Rahul Magesh Vignesh Shanmugam Anbu selvan J Ravi varman Ashik Aziz Cinematography Team: S.Manigandan (2nd Unit) P.Avinash (Chief Associate) Siddharth Maharajan (Associate) Prasanth Vellingiri (Associate) Assistant Editors: Bala Kumaran Ajith Kumar M Saif Thooyavan Audio Label : Think Music and Others.
Story-:
Director Pandiraj has attempted a creative twist on the storyline of the film *Papanasam*, essentially adding an extra layer of complexity to the plot.
Jayaram leads a simple life with his wife, Urvashi, and their two daughters. Sandy, a local rowdy, casts a lustful and predatory gaze upon both of his daughters. Jayaram’s family hatches a plan to murder Sandy, who has been tormenting the two girls. The very next day, Sandy is killed.
An internal investigation ensues within the family to determine which of them committed the murder. Subsequently, the local Inspector, Mysskin, steps into the fray. The intriguing events that unfold thereafter form the core of the film’s story.
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Movie Review-:
Realizing that *Papanasam* served as the inspiration for the film, Jayaram occasionally spoofs the body language associated with that movie. This approach works well in a few instances. Urvashi’s chaotic brand of comedy elicits waves of laughter in the theater; lines such as her asking, “Won’t you spend just 300 rupees for a murder case?” belong to a delightfully zany genre of humor.
Sanjana Krishnamoorthy and Ananthika Sanilkumar both deliver performances that are restrained in some scenes, yet occasionally over-the-top in others. Yogi Babu manages to pull off his role reasonably well. A distinct “meter”—or rhythm—has been established for Mysskin’s character, and he utilizes this rhythm to absolute perfection.
Cinematographer George C. Williams captures our attention with shots that remain grounded in realism; he has portrayed the Pattinapakkam area of Chennai with impeccable accuracy. The film’s composer has also paid significant attention to crafting an effective background score.
As if to explicitly acknowledge to the audience that *Pariyerum Perumal* draws inspiration from *Papanasam*, director Pandiraj has gone so far as to depict the characters within this film watching *Papanasam* themselves. This meta-referential concept works brilliantly. In numerous scenes, the comedic timing injects a surge of energy into the film.
However, the fundamental emotional connection—the “family bond” that should serve as the film’s bedrock—is almost entirely absent. How would a middle-class family typically react with sheer panic in the wake of a murder? That palpable sense of anxiety is nowhere to be found in the performances on screen.
Consequently, we are unable to truly empathize with or emotionally journey alongside the main characters. The screenplay—which feels both superficial and lethargic—ultimately creates a disconnect that keeps us at a remove from the film.
*Parimala & Co.*: Not extraordinary… but just “Okay.”
This Is My Personal Review So Please Go and Watch The Movie In Theaters only.
Written By CNN Online Media Admin Rating CNN Online Media Admin 3 / 5