ALL PASS Tamil Movie Review
Cast-:
Dushyanth Jayaprakash • Roshan Basheer • Madhan Kumar • Dhakshinamoorthy • V. Jayaprakash • Prasanna Balachandran • Janany Kunaseelan • Sharath Lohitashwa • Subramaniam Siva • Senthil Kumari • Vinodhini Vaidynathan • Kalaiyararsan Kannusamy • Gokul • Moorthy • Nikhil • Mohana R • Spyder Sanjay • Sathya and Others.
Crew-:
Hmm Vasanthan, Executive producer : Ranjeet, Art : Jayaseelan T, Lyrics : Mohan Rajan, James vasanthan, Nilavai Parthiban, Make up : L.v.Raja, Costumes : Sivakasi A.S.vasan, Co director : T.Muthuraja, Choreography : I Radhika, Colourist : Ranga . Prasad lab, Sound design : Rashid.J – Anand Nagarajan, Vfx : I-Matte Media, Lyrical video : I-Matte Media, P. R. O : Bhuvan selvaraj, Stills : Annadurai, Poster design : Gibson UGA, and Others.
Story-:
Don’t be misled by the title into thinking this is merely an educational film; Director Mydeen conveys a vital lesson: only money earned through honest hard work truly stays with a person.
The film highlights a universal truth: while people share a bond of understanding and closeness during times of hardship, that connection often fades once money comes into the picture.
Jayaprakash is the film’s central figure; a kind-hearted man who makes a living by undertaking catering contracts for weddings. A friendship blossoms between the wives of three men—Jayaprakash, Subramania Siva (a painter), and Prasanna Balachandran (a bicycle shop owner)—after they meet while admitted to a government hospital for childbirth.
Bound by this friendship, the families move into adjacent apartments in a North Chennai Housing Board complex. Just like the men, their wives—Senthi Kumari, Vinodhini, and Mohana R.—bond like sisters.
The three families spend most of their time together at Jayaprakash’s home, sharing meals and lives. Their children, all born around the same time, are now in their final year of school.
Amidst this, a sum of ₹5 crore belonging to the local MLA, Sarath Lohithaswa, accidentally falls into the hands of the children due to a mix-up.
They bring the money home. Just as the families—facing their own financial struggles—are about to divide the cash equally, the villainous MLA Sarath, furious over his missing money, tracks the cash to the housing complex.
He then orchestrates a house-to-house search operation with the help of Sathya, a local councilor residing there. With their fate hanging in the balance should they fall into his clutches, the rest of the film unfolds in a gripping manner, revealing whether they managed to safeguard the money or if Sarath succeeded in recovering his funds.
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Jayaprakash, playing the protagonist, fits the role perfectly; it is entirely believable that he has earned everyone’s affection, given his nature of being the first to rush to anyone’s aid.
Subramania Siva plays a painter with a drinking habit; since he tends to blabber uncontrollably when intoxicated, the family’s biggest challenge becomes keeping him sober to prevent him from revealing details about their money to the neighbors.
Prasanna Balachandran, an actor whose mere speech usually evokes laughter, has delivered a somewhat more restrained performance here.
Senthikumari, Vinodhini, and Mohana R., playing their wives, have authentically portrayed the characteristics of middle-class women on screen.
A prime example is Vinodhini’s inability to tolerate Senthikumari holding all the money; she instigates Mohana to demand the cash be split into three equal shares.
The way their friendship turns into enmity feels as though an “evil eye” has been cast upon their bond.
Amidst these middle-aged characters, the romance between the young couple—auto-rickshaw driver Dushyanth Jayaprakash and Janani—is delightful to watch. It is also fitting that their love story serves as the catalyst for reuniting the estranged group.
Sanjay, Gokul, and Nikhil—the boys who swipe the money—have performed their roles effectively.
Sarath Lohithaswa, playing the MLA, initially comes across as menacing, creating the impression that he might do something drastic. However, the intensity of Councilor Sathya’s introduction fades, and he eventually turns into a comic figure.
This film marks a comeback for composer James Vasanthan after a long hiatus. The songs, rather than being flashy or over-the-top, blend seamlessly with the film’s narrative.
Writer-director Mydeen evokes memories of director V. Sekhar with this film. He portrays middle-class family issues with a blend of naturalism and humor, while also deftly illustrating how the “demon” of money can turn people’s minds into a living hell.
It is disappointing that the second half, which builds up with great intensity, ends abruptly in a single scene. The film concludes so suddenly that neither the true extent of Sarath’s villainy nor the transformation of the middle-class protagonists into reformed, good-natured individuals is fully revealed.
Furthermore, the plot threads involving Sarath’s own son attempting to embezzle the money are left completely unresolved.
All Pass – Everyone is a good person!
This Is My Personal Review So Please Go and Watch The Movie In Theatres Only.
Written by CNN Online Media Admin Ratting CNN Online Media Admin 4 / 5