ANBE DIANA Tamil Movie Review
Cast -:
Ramya Ranganathan,Pari Elazvazhagan Roja Selvamani, Chetan Kadambi,Nikhila Sankar,Cell Murugan,Parithabangal Gopi, IsmatBanu, Chiranjeevi Sankar and Others.
Crew-:
Banner: Million Dollar Studios in association with Neo Castle Creations & Era Entertainment Production Houses: Million Dollar Studios, Neo Castle Creations & Era Entertainment Producers: Sathya Karikalan, Era Saravanan & Yuvaraj Ganesan Starring: Pari Elavazhagan, Ramya Ranganathan, Roja Selvamani, Chetan KA, “Parithabangal” Gopi & Others Written, Directed & Performed by: Pari Elavazhagan Music: Bharath Sankar DOP: Shelley Calist Editor: Partha MA Art Director: Mahendran Associate Producer: T Naren Creative Producers: Shajan Kavitha, Vivek Swaminathan R Executive Producer: Ajithkumar Natarajan Production Controller: Good Night R Nagarajan Production Executive: S Manikandan Production Co-ordinator: Baba Mani Sound Design & Mix: T Uday Kumar (Sound Vibe) Sound Design: Renjith Venugopal, Saravana Kumar Costume Designer: Abinanthini M Chief Makeup Artist: F. Sasi Kumar Stunts: Don Ashok VFX: RENDERHOOD, Anandharaj R Trailer AI Shots: DigiBricks Entertainment Colorist: Kowshik KS (Studio Spacemonk) Co-Directors: Ragul Balaji, Rakesh Direction Team: , I. Rajan, Dinesh, M. Rajan, Vishnu Stills: V Balaji Publicity Stills: Benunantha Publicity Designer: Gautham J Creative Promotions: Venkat Ramanan, Rajasekar Title Design: Yedhu PRO: Yuvraaj and Others.
Story-:
First a royal salute to the protagonist Arulnidhi! We must certainly salute his generosity in agreeing to play a supporting role in the story of a woman traveling in front of him. His performance as a collector was also so natural. Little girl Krithika has acted with all the qualifications to be included in this year’s National Award list. He disturbs our eyes in emotional scenes. Aarav Ramyapandiyan’s jodi impresses with an unconventional performance. All the stars including Kalivenkat, John Vijay, VTV Ganesh have acted well
Sukumar’s cinematography is the soul of the film. Every shot is amazing. GV Prakash conveys many emotions with the background music. Story songs are also catchy
A lesson within a film? A picture within a lesson? Director Ganesh Vinayak has carefully traveled the border. He has very elegantly and candidly recorded the fact that many hill dwellers are still uneducated
Shall we tell you some must-see pictures? Arulwan is one such film
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Movie Review-:
The film is written, directed and acted by Pari Ilavazhagan, who showed amazing acting skills that many people could not even imagine with a different film called Jama.
Barry has a different background story. A disused railway line, romantic scenes with flying butterflies, meaningful silent shots at some places make a mark as a director. He is OK in acting as well, where he puts his name in the film, writing- directing- acting is the last to put his name.
Sirumamilla Adinarayana Bhaskar has written the character well. He married Sarla because he could not marry the girl he loved due to casteism of his parents; So helping son’s love marriage; At the same time, affection for the wife, sometimes pretending to be jealous; That character design is awesome, in a way that really jumps out.
It is nice to have used the song once a papa met a mama in a little tourist bus written by Vali in the movie Anbe Vaa. Similarly, Pari has also used the song Manasukatiyinthe, which is set in the context of the song Douhu Manam Wala from the film Vasantha Malikai, and is featured in Prema Nagar, the Telugu version of the film Vasantha Malikai.
The story takes place in the geological background of Perampur. The locations used by Barry Ilavalagan and the cinematography by Shelley Galiste do it some justice, but more should have been done. Apart from that, the cinematography of the film is very good.
Bharat Shankar’s background music is OK Ragam. (not a typo) . Everyone is doing the same re-recording for comedy in all the films coming up now. It is like saying “I will hit you if you laugh”. Music can help comedy. But music alone cannot always bring comedy.
Comedy is created through story, environment, dialogue, acting and the director’s shots. Even in this film, rather than the comedy done by the big characters, the theater shook because of the lines spoken by a scene character who comes to deliver the newspaper.
Ramya Ranganathan is a beautiful heroine in the role of magic. His forte is looking even better in the frame. His acting is not lacking in the film, his magic works out.Chetan has Asathi in Bhaskar’s character. Traditional acting.Roja’s media image does justice to her character.Cell is a character of a lifetime for Murugan.Asati is there.Parithapangal Gopi’s image and acting are special. But comedy?
If someone we don’t like teases us, we think it’s a big joke and laugh it off. The reason why his comedy worked out in Parithapangal was because he poked fun at politicians. But cinema is about teasing our favorite people and making them enjoy it too. Gobi should keep this in mind.in an importa nt scene, Ismat Banu gives a thumbs up.
Nikila Shankar is special. But that face and acting made us guess the woman watching the scene. But the next twist is unpredictable. Awesome
Sudarshan Gandhi is special.
A good background is that the heroine is an Anglo Indian girl. But in reality Anglo-Indian families in Chennai have ceased to stand out, and it has been twenty years.
Once there were many Anglo-Indians in Perambur. But now only a very small number, especially the elderly, are living. They also live scattered in areas like Madhavaram and Ayanavaram. Many have migrated to countries like Australia, Canada, England and New Zealand. Earlier Anglo-Indians were widely employed in the Perambur Railway (Loco Works, ICF). (It is special that this is shown in the picture)
So the question arises whether the Anglo Indian families in Perambur are now connected to Perambur residents.
Seeing Magic coming to CSK is not love. A lover of magic since school age — she would go after it — CSK knew their culture well before hand. It’s character assassination for him to think it all back after she tells him he loves her.
Many scenes go out of scope. or longer than necessary. Partha’s set could have been a little more perfect.
You may have been helped by your caste to set up a flour shop. But is everyone who buys flour from you a member of your caste?’ No one who buys flour buys it for nothing. He would have bought it for money.
Similarly, it should have been said more sharply that the panchayat scene has lost its hand to caste. There are many realizations in it. When he comes home, Bhaskar says it’s Sarala’s fault.
Don’t think that I am giving logic to wrong things. Sarala’s character bows down to what justice is MGR ? Sarala is a caste fanatic. His caste and religion are important to him.’ What is the reason for that? Avanavan is still raising caste in social media and cinema.
Similarly, listening to sister and getting knowledge of CSK is all a template. Feeling rather than feeling a character is a work out in today’s screen language.
How the main characters of a screenplay overcame the problem that came to them is the most effective theatrically. Telling the story that their problem is solved by another action of another character will not give full satisfaction to the audience
The thing that needs to be told is how one person searched for water and saved it. If it is concluded that when he went in search of water, it rained and his thirst was quenched, then why is the character who went in search of that story?
Although there are some flaws like this, the film is going to be a colorful and beautiful romantic comedy sentiment.
Overall…. Diana is thriving. Love is a little less. But what? Love is needed to live. Diana is enough to admire.
This Is My Personal Review So Please Go and Watch The Movie In Theaters Only.
Written By CNN Online Media Admin Ratting CNN Online Media Admin 4.5 / 5