NOORUSAMI Tamil Movie Review
Cast-:
Vijay Antony, Swasika, Ajay Dhishan, Lijomol Jose, Karunas, Sakthi, Kavya ,Anil
Balaji Sakthivel, Aruldoss, Munishkanth, Padini Kumar, Jenson Dhivakar, Bucks, Vinodhini, Thamarai, Kodangi Vadivelu, Muthualagi, Saratha, Sabitha Roy, Abinaya, Moorthy, Subramania Siva and Many More.
Crew-:
Vijay Antony Film Corporation – Meera Vijay Antony Presents, Director: Sasi DOP: S. B. Darshan Kirlosh Editor: Harish Yuvaraj Music: Balaji Sriram Art Director: V. Sasi Kumar Choreographer: Viji Satheesh Stunt Master: Ramkumar Lyricist: Mohan Rajan Costume Designer: Durga Priya Costumer: Ganesh Hair & Makeup: Sreeralan Mani Sound Engineer: S Chandrasekhar Sound Designer : Vijay Rathinam MPSE Sound Mixing Engineer: A. M. Rahmathullah DIT: Sakthivel DI: Promoworks Colorist: Adithya Technical Head: Janarthanan Executive Producer: D. Naveen Kumar Production Executive: Annamalai Sami Casting Director: Sugumar Shanmugam Publicity Designer: Viyaki Still Photographer: Mahesh Jayachandran PRO: Nikhil Murugan Marketing and Promotions KV Mothi – DEC Direction Team: Co-Directors: Sriraam Ramathilagam, A. Murali Associate Directors: B. Vinoth Kumar, S. Sureshkumar Assistant Directors: Vinayaka Dora Bonam, Mithun Ravishankar, Abira Karan Associate DOP: K. V. Pavithran, Aathi Selvan Assistant DOP: Eniyan Manivannan, Saravanan Thirunavukkarasu Gimbal Operator: P. Sathish Kumar Art Assistant: Ezhilrajan, Seelan, Balajawahar Set Assistant: M. Ravimani, K. Sekar (Lathuvadi) VFX: D Note VFX Head: R.Murthy VFX Line Producer – A.R. Aryasvarar VFX: Paperplane VFX Studio – Sanath TG & Sathish CD Lyrical Video: Rishi Audio Label : Think Music and Others.
Story -:
Selvi (actress Swasika) loses her husband at the age of 26 and struggles greatly to educate her two sons. She endures all the hardships a woman faces when living alone after the loss of her spouse.
Amidst this situation, when Swasika considers remarriage, her eldest son Bhaskar (Ajay) reacts harshly towards her. Five years pass; Bhaskar completes his education and runs his own business, while the younger son, Vivek (Sakthi), is attending college.
Selvi decides it is time for Bhaskar to get married, but Bhaskar resolves that he will only marry if his mother remarries first. Having initially stood as an obstacle to his mother’s remarriage, Bhaskar now urges her to remarry; however, Selvi refuses.
Nevertheless, both sons persist in their efforts to get Selvi married. At one point, Selvi agrees to remarry—but what happens next? What trials and tribulations do the family and Selvi face as a result of this decision? That forms the rest of the story.
Watch The Video -:
Movie Review-:
Director Sasi always crafts elegant screenplays based on emotional storylines that resonate deeply with the audience. Just as the film *Pichaikkaran* captured our hearts by centering on a true incident, Director Sasi has based this film on a real-life event as well. He deserves praise for choosing to bring such a story to the screen.
Society, which once demanded that a woman who lost her husband should ascend his funeral pyre, has now matured enough to accept remarriage for widows. Periyar, who championed this cause and sowed the seeds of such progressive ideas in our land, played a pivotal role in this shift.
However, there are still those who believe a woman who loses her husband must remain a widow for the rest of her life. The film *Nooru Saami* serves as a stinging rebuke to such people.
It raises important questions: Does a woman not have a life of her own after losing her husband? Shouldn’t she be the one to decide her own path? Who are we to dictate her life? Furthermore, while Director Sasi portrayed the mother as a divine figure in *Pichaikkaran*, in *Nooru Saami*, he asks us to view the mother as a human being. The screenplay beautifully emphasizes the need to respect a mother’s feelings and emotions.
The characterization is superb. Swasika, the film’s female lead, carries the entire movie on her shoulders. Her portrayal of the pain experienced by widows—conveyed through both her acting and dialogue—is exceptional. Equally impressive is how she expresses the joy she feels upon the prospect of remarriage. Vijay Antony’s entry, his performance, and his perspective on the world were all excellent and engaging. Ajay and Sakthi, playing the sons, delivered outstanding performances in their respective roles.
There is a character in the village who is determined to ensure no good befalls anyone else; the mere sight of this character makes one want to smash his face in. Balaji Sakthivel delivered an excellent performance in his role. Additionally, the performances of Kavya, Lijomol Jose, Jenson, and Karunas were all impressive. The cinematography, background score, and songs were superb, and the other technical aspects were flawless. The dialogues serve as a major pillar of the film. Swasika’s acting Contribut on of the actresses The message conveyed
Climax Emotional scenes, Negative points Nothing significant .
Overall, *Nooru Saami*—a film that urges us to view women as human beings rather than as goddesses—is a must-watch for everyone.
This Is My Personal Review So Please Go and Watch The Movie In Theaters Only.
Written By CNN Online Media Admin Ratting CNN Online Media Admin 4 / 5